Tag Archives: download

Ten Kens – Namesake






“Excellently skewed, arty rock, like Sonic Youth and Liars colliding.” — NME

Ten Kens, the Toronto based ethereal artrock group, is streaming their entire forthcoming album, Namesake, a week early via the massive Canadian entertainment conglomerate, Exclaim!  This is also in conjunction with their recently released video from Namesame for the song “Gently Used“, which is presented by Tiny Mix Tapes and available above. Finally, to give you a probably way over the necessary dose, the video for “When A Door Opens” also premiered via Consequence of Sound. which, you guessed it, is also available above.

Released after two years of nerve racking tranquility and a sophomore album glow, the aptly titled Namesake moves the band away from their signature genre-bending dither into a more darkened psychedelic day trip experience. The result of an intense yearlong recording period and masterfully engineered/produced by Ten Kens own Brett Paulin and Dan Workman, the band jumped from one recording facility to the next in order to find each individual sound which makes this whole. Apparently, the band enjoys disappearing “into complete isolation to keep their vision focused and devoid of any outside influence” which may come across from just the first 2 mins of “Gently Used“.

It is this insidious exploration, though, coupled with an almost ambient prog rock, that makes Namesake such an experience as for as an album. An abstract art-piece constructed from the remains of decaying genres, Ten Kens’  Namesake is an unapologetic trance of post-rock meets prog rock with a whole lot thrown in between. Basically, it’s beautiful. Grab a download or don’t be stingy and grab the vinyl (Release Date: May 21, 2013, if it’s a great album, it’s a worthwhile buy and yes, Namesake is a great album). Here’s to hoping a tour is in the works.

Cliff.DI

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

Love Cop – Eat Yr Heart Out



Ah, 80′s glam electronica, you always know how to put a smile on my face and Gnarnia VIPs and dark pop geniuses, Love Cop, oblige with a cassette of lofi dreamgaze with a heavy tote of perverted pop. With clear nods to the best moments of Television Personalities, The Clean, and Factory Records bands like Joy Division and New OrderEat Yr Heart Out is bursting at the seams with fuzzy guitars, jangly guitars, crunchy guitars, dance beats, rock beats, witchy vibes, stoner vibes, and maybe the kitchen sink (why not?).

Signed copies were available at their performance at Gnar Tapes SXSW Showcase on March 15th, 2013 but never fear, you can still get your not-as-special unsigned copies through the friendly folks at Gnar Tapes. So pop on the album through bandcamp (or better yet, the cassette itself), open up the windows, and ignore your responsibilities. Love Cop‘s got the soundtrack to your dysfunctional narcissism.

Love Cop – Eat Yr Heart Out (Bandcamp)

Gnar Tapes – Shop

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

And So I Watch You From Afar – All Hail Bright Futures

Belfast‘s And So I Watch You From Afar has just started streaming their entire forthcoming album, All Hail Bright Futures, all this week, courtesy of Vice’s own Noisey.com. As described by Sargent House, the label/worldwide management group to which ASIWYFA just recently signed onto, All Hail Bright Futures “could be taken as both an ethos for the album and the band at this point in time. There is a new color scheme in place: new textures, emotions, sounds and voices… (All Hail Bright Futures) is dominated by a sunnier disposition, a positive uplift that more closely matches the euphoria the Northern Ireland trio has been instilling in audiences through their music in a live setting for the last five years.” And by the way, they really aren’t kidding when they talk about the euphoria of their live shows after just recently winning the Best Live Band at Choice Music Prize this past year, not to mention the clocked 500 plus shows worldwide.

Thoughts, comments, and concerns? Well it is certainly a different kind of album than expected from the group. Sure, there are moments such as “Trails” & “Mend And Make Safe” which remind me far more of previous albums such as Grimes, but the vast majority of the album seems, well, different. Perhaps they have taken a cue from fellow Irish group Adebisi Shank however the songs are clearly for more energetic, not in the way say post-rock climatic strikes but more as a thrashing math-rock meets an electronic bliss of reimagined post-hardcore. To understand this sensation, I would highly recommend “Like A Mouse” & “Big Thinks Do Remarkable“. Sargent House releases All Hail Bright Futures on March 19, 2013 on LP, CD, & download worldwide and is the first recoding done by ASIWYFA as a three-piece. While this may have been the case with recording, the band will continue on as a four piece with the addition of Niall Kennedy (guitar). The album was recorded with Rocky O’ Reilly at Start Together Studio in Belfast.

Essentially, it is definitely clear that ASIWYFA is seeking to redefine itself with their third full length. And yeah, I will certainly say that I gladly bump said album at least several times through in the past twenty four hours, partly for research and partly to keep me awake during this depressing weather. It feels as though the group is lost though. They are taking heavy cues from others without retaining enough of what truly made them unique on the global stage. If they seek to be an amazing live act, well, it appears as though they have accomplished it and certainly this album tour is going to be a fun one by what I am hearing. If the goal is to continue to give a unique perspective and development on this evolving genre, well, they may have missed the mark. Take a listen and tell me I’m wrong: regardless, I think I’ll pop it on one more time.

And So I Watch You From Afar – All Hail Bright Future

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

Daphne Lee Martin – “Moxie” Interview & Album Radio Special

In case ya didn’t read my original article, let me just go ahead and summarize, though I imagine you can probably guess where this is going since I am, in fact, setting time aside to specifically write on this again. Yes, I thorough enjoyed Daphne Lee Martin‘s Moxie, the first of twin records: Frost & Moxie. Produced by Bill Readey at Fuzzy Rainbow Production, the album even includes John Panos of Mates of State along with her full band, “Raise the Rent“. Yet these are matters I have already discussed (again, just read the original article already if you’re curious).

The real reason for this article is that Dissociative Identity Productions & WKDU Philadelphia, 91.7 fm are proud and excited to host Daphne Lee Martin at the studio, around 6:30 pm EST (assuming the dreaded ‘punk time’ does not strike) to have an interview as well as an overall Moxie album radio special. This means an hour of tracks off the album, interview and the odd assortment of conversations which come with that territory, as well as some tracks of which have proven influential to the group as a whole. Yeah, it should make for quite an interesting hour so be sure to tune in either at 91.7 fm or simply by streaming through the WKDU site (top right hand corner). See ya then and just to get ya excited, not only is the full album streaming above but we’ve even got an official video for the single “Belly” below. Check it out and thanks for tuning in.

Daphne Lee Martin – Moxie

WKDU Philadelphia, 91.7 fm

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music, Uncategorized

Zorch – Sign to Sargent House/New Album in Works

Zorch, Austin, TX‘s hyper-kinetic duo, premiered a new song, “We All Die Young“, a release from their forthcoming full length. The track is available through SPIN Magazine with the full length album expected to be released this summer. Clearly the big change, however, is that Zorch has signed on with Sargent House for management and label. This, while a massive change, is not necessarily a massive surprise.

Zorch is composed of Zac Traeger (keyboards, omnichord, vocals) and Shmu (drums, omnichord, vocals), whom hail from Wisconsin and Canada respectively. The duo originally met around Boston and after moving to Austin in 2009, the foundation of what would become Zorch was laid. After years of building up a reputation within the city’s DIY scene, Zorch will again play their annual multi-performance marathon during SXSW in Austin this March (listed below), marking a welcomed combination of both their roots and their future.

Take a listen and go ahead, get excited. Frankly, I always assumed Zorch was already on Sargent House so the move is a welcomed decision in my mind. But who knows? Maybe you disagree with me to which I simply say: you’re wrong. Indulge yourself to some experimental beauty while at work, in your classroom, or simply walking down freezing streets. It won’t be long till March comes along, the beginning of a long overdue spring and summer (time is relative, get over it). Till then.

Austin, TX – SXSW:

3/10/13 – Yeast by Sweet Beast @ Chain Drive
3/11/13 – Weird Destiny Freakout @ The Museum of Human Achievement
3/12/13 – All Tamara’s Parties @ Cheer Up Charlies
3/12/13 – SXSW Showcase @ Metal & Lace w/Assacre
3/12/13 – Granada House Backyard Shredathon @ The Granada House (1184 Greenwood Ave) 3/13/13 – Slip n’ Slide Party III @ Second House (2906 E. 2nd.) w/Delicate Steve
3/13/13 – SXSW Showcase @ TenOak w/Sorne
3/14/13 – House Party @ Hobbies’ Odd (1118 Linden St)
3/14/13 – Escapes @ Club 1808
3/15/13 – The Vagabond Collective showcase @ Austin Kickboxing Academy
3/15/13 – Wuwufest @ Russian House w/Why?, T-Bird and the Breaks
3/15/13 – SXSWendy’s @ Wendy’s
3/16/13 – Hometapes/Spacebomb Friend Island @ The Museum of Human Achievement

Zorch Facebook
Sargent House Zorch Page
Zorch Bandcamp
Zorch Site

- Cliff

Follow ID_Dissociative on Twitter

1 Comment

Filed under Music

Ian Fischer & The Present – S/T

Recorded in a better than biblical 5 days. 12 hours of recording per day, with pastime activities including everything from shooting beer cans with bb guns (a personal favorite activity of mine when I was still in NC) to eating the mythical ‘Oberle’ dogs. All taking place on a small red tin cabin owned and run by family. If this doesn’t at least get you intrigued, than I really do not see much hope in you anyways. However for those who see an appeal to this story of rural serenity and isolated contemplation, then the “globetrotting young folk/americana duo from the banks of the Mississippi” known as Ian Fischer & The Present (a Mr. Ryan Thomas Carpenter) should satisfy that thirst.

With a laundry list of former homes and memories in cities far and wide including St. Louis, Vienna, New York and Berlin, Ian Fischer has done more traveling in his short career than most individuals accomplish in their entire lifetime. Incorporating honest lyrics and an unabashed voice, in combination with The Present’s  harmonies and soul, Ian Fischer & The Present have made some waves within the international community purely based upon their live performances. Now with their self titled release, which was engineered, mixed, mastered and produced by a Mr. Ben Majchrzak, Ian Fischer & The Present hope to take this raw emotional connection onto a produced format, a task which proves particularly dangerous and risky when approaching folk and folk revival.

The release then, I am glad to say, can confidently assert that this objective has been achieved. From the ever quickening, like running through the woods, of “Change of Heart” to the more remorseful “Fear“, the self titled release is able to maintain an authenticity to folk without reproducing or beating a dead horse. Rather, it takes a global experience and incorporates into a hyper-localized format, aka folk, a format which has identified particular populations for generations. Thus taking a cultural identifiable art form and attempting to apply an international history into the mix is a welcome step forward. This release just goes to show a couple of guys with an open mind to the world as well as a Mississippi sense of modesty and humility, a welcomed experience to those seeking a refuge. Beer cans, bb guns, and ‘Oberle‘ dogs: sounds delightful. Grab a download and enjoy.

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

LVMRKS – Valentine

What do you get when you blend the likes of Broken Bells, …And You Will Know Us By The Trail Of Dead, & Red Sparrows? Well, from the latest news, something along the lines of LVMRKS. Neil Busch, former vocalist/bassist/songwriter in …And You Will Know Us By The Trail Of Dead is back with LVMRKS as well as work nearly completed on their forthcoming debut album, Pale Fairytale. The all-star group includes, of course, bassist Jonathan Hischke (Broken Bells, Hella, Dot Hacker, et al.) and drummer Dave Clifford (Red Sparrows, The VSS), making a well rounded act with an extremely potent potential.

To appease your undying desire, LVMRKS has already shared the first song from their debut album, the cupid-themed song, “Valentine” which is available to stream above. As far as the album, Pale Fairytale, it will be available on LP and download on May 21st, 2013 and was recorded and mixed by Toshi Kasai (of Melvins, Tool, & Big Business notoriety). So I will not say much since I don’t want to look back in several months and feel like a jackass despite to say, I’ve got a smile on my face. And yes, that’s a good thing. Take a peak and get excited.

LVMRKS – Valentine

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

Adebisi Shank – Thunder

Adebisi Shank’s most recent album, This Is The Second Album of a Band Called Adebisi Shank, released in 2011 via Sargent House was an absolutely brilliant sophomore album which did not slow down this monumental three piece’s sense of brilliant noisy math rock. So when I woke up this morning to an email notifying me that Ireland’s Adebisi Shank will be entering a studio later this year to begin work on their next album, it frankly put a smile on my face.

To make things even better, Adebisi Shank was able to release an early live session recording for the track “Thunder“, which was mixed by Toshi Kasai (Melvins, Big Business) in L.A. during the band’s recent tour with Fang Island. What’s humorous to me is that the band openly admits that the track may not end up with the title of “Thunder“: rather, it is still so early in the process to really make any conclusive decisions on the album. So overall, maybe this article is premature however after viewing the video, you can probably see why I am so excited.

So yes: we’ve got awhile to wait before we know just about anything. But from I’m watching/listening, I’d say it’s so far, so good. Keep it up Adebisi Shank and I’m psyched for, I don’t know, maybe “This Is The Third Album of a Band Called Adebisi Shank“? You can choose your own name: I’m just spitting ideas. Watch the video and enjoy: I know I did.

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

My Education – A Drink For All My Friends

There has been some incredible releases already with the New Year, whether it is through TTNG or Tyvek. Yet as I work through my long overdue articles, a particular one always strikes my attention. Back towards the end of November, an Austin, TX staple, My Education, released their sixth album, A Drink For All My Friends in North America on Headbump Records/Haute Magie and in Europe on Golden Antenna. Sonic explorer’s at heart, My Education’s A Drink For All My Friends is the band’s most streamlined and aggressive effort yet, while remaining an entrancing cinematic journey throughout.

Originally formed in 1999, the band’s membership has expanded and contracted between and after each release. Still, while the material buildup of the group has changed, the sonic landscapes have grown with each release. Think of it like Doug Martsch’s Built to Spill lineup, except within the vast domains of post-rock, post-prog, and post-hardocre. My Education has released 5 full-length albums, several singles, compilation appearances, and a 12″ vinyl collaboration with avant-hip hop duo Dalek. in the past, as well as having their singles remixed by members of bands such as Kinski, Pelican, Red Sparowes and Dalek.

So as for the release itself? At times, My Educations pulls off tracks that faithfully push forward a movement similiar to that of Turing Machines with it’s electronic pedal heavy riffs and uncompromising percussion/bass. Yet at other tracks, it is a blissful acceptance of beauty in patience as displayed by such groups as Tortoise or Collection of Colonies of Bees. If I wanted to be simpler, I would simply say the album is all over the place except that it is not: rather, it is a very purposeful journey with moments of peace followed by the always present shadow of entropy, disorder, and chaos. A Drink For All My Friends is the album for those vinyl nerds, sitting alone with massive headphones in their room for hours. It is for the intellectually curious introverts in all of us. And, more importantly in my opinion, it’s an album for me.

So trust me on this recommendation or don’t. Frankly, it’s not my concern or job to care. Yet it is my job to cover such a beautifully crafted album, one which I nearly missed due to my own slothfulness. It is a mistake I hope to never make again, particularly with the reward that My Education provided me. Don’t make the same mistake: grab a download, catch them live, and let your inner introvert run wild. I know I did.

My Education – A Drink For All My Friends

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music

This Town Needs Guns (TTNG) – 13.0.0.0.0/Name Change?

Well folks, this has been an album I have long been awaiting for (and so yes, I feel a little embarrassed that I am writing on the matter over a week late). While the album caught my attention with its references to the Mayan calendar’s Long Count, which indicates the beginning (August 11, 3114 BCE) and end (December 21, 2012) of the current civilization, the past several weeks have created an even eerier reputation to the group. Regardless of the odd timing and conspiracy like development, Dissociative Identity Productions is at least happy to report that yes, the album does live up beyond the controversy to an actually amazing album. This Town Needs Guns, or TTNG (due to obvious developments in the US) brings a force unknown in previous releases with a refinement that you have come to expect from the group.

13.0.0.0.0 is TTNG‘s first album featuring their new vocalist Henry Tremain after the former lead singer, Stuart Smith, left in 2011. While fans of “Animals” may feel nostalgia, this lineup seems to show considerable growth and cohesion already. The album opener, “Cat Fantastic“, kicks things off with an incredibly nimble plucking guitar melody combined with the warmth of Tremain‘s voice and the song’s hooky chord progression which all makes it easy to forget the depth of what you are hearing. Elsewhere, the ethereal vocal melodies weave together with a rapid-fire guitar and bass interplay as displayed on “Havoc In The Forum“. “I’ll Take The Minute Snake” is rich with a sliced-up sounding drum pattern while Tremain‘s vocal intricacies in “Left Aligned” prove his new found position while slithering bass chords, fugue-like guitar notes and rollicking drums form a sturdy base to explore from, like Battlestar Galactica to a Raptor (ok, I’ve been fairly addicted to the program recently). “13.0.0.0.1” perfectly closes the album with a chiming lullaby of interwoven piano and lightly plucked guitar notes, adding a seeming moment of silence to the album experience. Appropriate in my mind.

Take a listen through the streamed link above but more importantly, be sure to catch them live/grab a vinyl for the full experience. I could understand some skepticism to buy the vinyl when its a lofi as hell group but believe me, the quality of the album will make you reconsider. So long time in anticipation and waiting: am I disappointed? Not in the slightest.

TTNG

- Cliff

Follow ID_Dissociative on Twitter

Leave a Comment

Filed under Music