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Ten Kens – Namesake






“Excellently skewed, arty rock, like Sonic Youth and Liars colliding.” — NME

Ten Kens, the Toronto based ethereal artrock group, is streaming their entire forthcoming album, Namesake, a week early via the massive Canadian entertainment conglomerate, Exclaim!  This is also in conjunction with their recently released video from Namesame for the song “Gently Used“, which is presented by Tiny Mix Tapes and available above. Finally, to give you a probably way over the necessary dose, the video for “When A Door Opens” also premiered via Consequence of Sound. which, you guessed it, is also available above.

Released after two years of nerve racking tranquility and a sophomore album glow, the aptly titled Namesake moves the band away from their signature genre-bending dither into a more darkened psychedelic day trip experience. The result of an intense yearlong recording period and masterfully engineered/produced by Ten Kens own Brett Paulin and Dan Workman, the band jumped from one recording facility to the next in order to find each individual sound which makes this whole. Apparently, the band enjoys disappearing “into complete isolation to keep their vision focused and devoid of any outside influence” which may come across from just the first 2 mins of “Gently Used“.

It is this insidious exploration, though, coupled with an almost ambient prog rock, that makes Namesake such an experience as for as an album. An abstract art-piece constructed from the remains of decaying genres, Ten Kens’  Namesake is an unapologetic trance of post-rock meets prog rock with a whole lot thrown in between. Basically, it’s beautiful. Grab a download or don’t be stingy and grab the vinyl (Release Date: May 21, 2013, if it’s a great album, it’s a worthwhile buy and yes, Namesake is a great album). Here’s to hoping a tour is in the works.

Cliff.DI

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And So I Watch You From Afar – All Hail Bright Futures

Belfast‘s And So I Watch You From Afar has just started streaming their entire forthcoming album, All Hail Bright Futures, all this week, courtesy of Vice’s own Noisey.com. As described by Sargent House, the label/worldwide management group to which ASIWYFA just recently signed onto, All Hail Bright Futures “could be taken as both an ethos for the album and the band at this point in time. There is a new color scheme in place: new textures, emotions, sounds and voices… (All Hail Bright Futures) is dominated by a sunnier disposition, a positive uplift that more closely matches the euphoria the Northern Ireland trio has been instilling in audiences through their music in a live setting for the last five years.” And by the way, they really aren’t kidding when they talk about the euphoria of their live shows after just recently winning the Best Live Band at Choice Music Prize this past year, not to mention the clocked 500 plus shows worldwide.

Thoughts, comments, and concerns? Well it is certainly a different kind of album than expected from the group. Sure, there are moments such as “Trails” & “Mend And Make Safe” which remind me far more of previous albums such as Grimes, but the vast majority of the album seems, well, different. Perhaps they have taken a cue from fellow Irish group Adebisi Shank however the songs are clearly for more energetic, not in the way say post-rock climatic strikes but more as a thrashing math-rock meets an electronic bliss of reimagined post-hardcore. To understand this sensation, I would highly recommend “Like A Mouse” & “Big Thinks Do Remarkable“. Sargent House releases All Hail Bright Futures on March 19, 2013 on LP, CD, & download worldwide and is the first recoding done by ASIWYFA as a three-piece. While this may have been the case with recording, the band will continue on as a four piece with the addition of Niall Kennedy (guitar). The album was recorded with Rocky O’ Reilly at Start Together Studio in Belfast.

Essentially, it is definitely clear that ASIWYFA is seeking to redefine itself with their third full length. And yeah, I will certainly say that I gladly bump said album at least several times through in the past twenty four hours, partly for research and partly to keep me awake during this depressing weather. It feels as though the group is lost though. They are taking heavy cues from others without retaining enough of what truly made them unique on the global stage. If they seek to be an amazing live act, well, it appears as though they have accomplished it and certainly this album tour is going to be a fun one by what I am hearing. If the goal is to continue to give a unique perspective and development on this evolving genre, well, they may have missed the mark. Take a listen and tell me I’m wrong: regardless, I think I’ll pop it on one more time.

And So I Watch You From Afar – All Hail Bright Future

- Cliff

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Zorch – Sign to Sargent House/New Album in Works

Zorch, Austin, TX‘s hyper-kinetic duo, premiered a new song, “We All Die Young“, a release from their forthcoming full length. The track is available through SPIN Magazine with the full length album expected to be released this summer. Clearly the big change, however, is that Zorch has signed on with Sargent House for management and label. This, while a massive change, is not necessarily a massive surprise.

Zorch is composed of Zac Traeger (keyboards, omnichord, vocals) and Shmu (drums, omnichord, vocals), whom hail from Wisconsin and Canada respectively. The duo originally met around Boston and after moving to Austin in 2009, the foundation of what would become Zorch was laid. After years of building up a reputation within the city’s DIY scene, Zorch will again play their annual multi-performance marathon during SXSW in Austin this March (listed below), marking a welcomed combination of both their roots and their future.

Take a listen and go ahead, get excited. Frankly, I always assumed Zorch was already on Sargent House so the move is a welcomed decision in my mind. But who knows? Maybe you disagree with me to which I simply say: you’re wrong. Indulge yourself to some experimental beauty while at work, in your classroom, or simply walking down freezing streets. It won’t be long till March comes along, the beginning of a long overdue spring and summer (time is relative, get over it). Till then.

Austin, TX – SXSW:

3/10/13 – Yeast by Sweet Beast @ Chain Drive
3/11/13 – Weird Destiny Freakout @ The Museum of Human Achievement
3/12/13 – All Tamara’s Parties @ Cheer Up Charlies
3/12/13 – SXSW Showcase @ Metal & Lace w/Assacre
3/12/13 – Granada House Backyard Shredathon @ The Granada House (1184 Greenwood Ave) 3/13/13 – Slip n’ Slide Party III @ Second House (2906 E. 2nd.) w/Delicate Steve
3/13/13 – SXSW Showcase @ TenOak w/Sorne
3/14/13 – House Party @ Hobbies’ Odd (1118 Linden St)
3/14/13 – Escapes @ Club 1808
3/15/13 – The Vagabond Collective showcase @ Austin Kickboxing Academy
3/15/13 – Wuwufest @ Russian House w/Why?, T-Bird and the Breaks
3/15/13 – SXSWendy’s @ Wendy’s
3/16/13 – Hometapes/Spacebomb Friend Island @ The Museum of Human Achievement

Zorch Facebook
Sargent House Zorch Page
Zorch Bandcamp
Zorch Site

- Cliff

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Nowhere Train – Station

It’s a sad scene when you have a native of the Appalachian region wondering what the hell happened to all the great folk/folk rock acts out there. Sure, we’ve got our Bowerbirds (which yes, are amazing) but they appear to be spinning in different directions now a days. And as I look around the area to see which acts will step up to fill in these shoes, there appears to be a very sorry lot available. Ink Music’s Nowhere Train has finally provided an answer to this surprising longing with their latest album, “Station“, a triumphant of not only the folk/folk rock scene but also an incredibly gifted reminder of the benefits of a truly independent, global music society.

For one, the album has a momentum and flow which appears easy yet by no means is an easy achievement. From their opening track, “Ashes” with the obvious train like rhythm exemplified beautifully by the light snare gliding of the percussion to the melancholy bluegrass soaked with an almost drunken beauty to the vocals witnessed in “Are You There“, Station truly does take the listener on a metaphorical journey through such universal themes as mortality, love, and regret all with a flow which never leaves a listener bored. And while the album plays well as a complete whole, I do not meant to downplay the parts which make this amazing sum. A personal favorite would have to be “Outrageous”, with an unapologetic yet faded glory tone, “Outrageous” features your nonchalant yet seemingly sarcastic lyrics backed by a sound which is almost classic Roma meets Folk-Rock. “Annabelle” incorporates a haunting bluegrass melody while keeping a sincere and honest voice within each verse and chorus. Frankly, Nowhere Train’sStation” is something along the lines of what I was hoping the Figurines could achieve to no avail, all of which makes me that much more excited to witness the series of music videos which, undoubtedly, will be released over the coming weeks (already a live session video for “Ashes” is available at the top of the article).

Thoughts, comments, and concerns? I am wildly impressed by Nowhere Trains ability to take a genre which is often misused and incorporate it with respectful nods to classics of wildly different genres (think the Velvet Underground when listening to “With A Lot Of Love” and tell me I’m wrong). Station is an album which elegantly molds contemporary tools provided by technological advances with an honesty played out in both playful yet reflective folk meets alternative society. Welcome, my friends, to globalism. It’s good to finally be here and yes, thank you Nowhere Train, for showing us what it might sound like.

- Cliff

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Native – New Album & Tour w/ Caspa

In case ya didn’t know, yeah: I am a massive Native fan. We Delete; Erase was simply a masterpiece which gorgeously combined a midwestern noodle rock sound with a grundgy, emo-rock flare that often lost the listeners in bursts of post-rock glory. While We Delete; Erase is still my favorite of Native’s, Wrestling Moves, the sophomore release, did not disappoint. All of this brings me to the more exciting news: Northwest Indiana’s Native is announcing a whole hell of North American live dates starting next month, most of which will be alongside post-rock instrumentalists Caspian. A full list of the schedule is available below.

In addition to this glorious news, however, it is also a delight to hear that Native has just recently finished recording their second full length album with Greg Norman (Russian Circles, Pelican) in Chicago, a release which will be provided by your friendly label folks over at Sargent House this summer. To start building up enthusiasm  or if you are not familiar with Native, I would highly recommend checking out a video of the band playing one of their new songs,”Kissing Bridge” live in Paris (top of article). Furthermore, of course, I included a stream of Wrestling Moves for a quick preview.

As for now, well, be patient and stay tuned. Based just off the live video, I’d say we got a triumphant return in store for us. Till then.

Feb 25 – Oklahoma City, OK @ The Conservatory
Feb 26 – Albuquerque, NM @ The Gas Works
Feb 27 – Tempe, AZ @ Tempe Women’s Club

CASPIAN & NATIVE 2013

Mar 01 – Los Angeles, CA @ Echoplex also w/ Junius
Mar 02 – San Diego, CA @ Soda Bar And Lounge
Mar 03 – San Francisco, CA @ The Bottom of the Hill
Mar 05 – Seattle, WA @ Barboza
Mar 06 – Portland, OR @ Doug Fir Lounge
Mar 07 – Boise, ID @ The Red Room
Mar 08 – Salt Lake City, UT @ Kilby Court
Mar 09 – Denver, CO @ Larimer Lounge
Mar 10 – Omaha, NE @ The West Wing (no Caspian)
Mar 11 – Lawrence, KS @ Jackpot Music Hall
Mar 12 – Minneapolis, MN @ First Avenue 7th Street Entry
Mar 13 – Madison, WI @ High Noon Saloon
Mar 14 – Chicago, IL @ Subterranean
Mar 15 – St Louis, MO @ The Firebird
Mar 16 – Nashville, TN @ Exit/In
Mar 18 – Toronto, ON @ The Garrison
Mar 19 – Lansing, MI @ Mac’s Bar
Mar 20 – Newport, KY @ Southgate House
Mar 21 – Cleveland Heights, OH @ Grog Shop
Mar 22 – Pittsburgh, PA @ Smiling Moose
Mar 23 – Buffalo, NY @ Big Orbit Soundlab
Mar 24 – Burlington, VT @ Signal Kitchen

NATIVE ONLY

Mar 25 – Montreal, QC @ L’escogriffe Cafe Bar
Mar 26 – Kitchener, ON @ Jesse’s Rehearsal
Mar 27 – Toledo, OH @ Mickey Finn’s

Native – Sargent House

- Cliff

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Die Eternias – Sould Out

Vienna’s Die Eternias’ second album is on it’s way (11/23/2012). Produced by Wolfgang Möstl (Killed by 9V Batteries, Mile Me Deaf) and recorded live in studio in Vienna and Graz in three days, Sould Out embodies a soul of rock ‘n’ roll with its seeming negligence of genres, often jumping through dashes of swing, cabaret, pop, and even reggae. Described as a “collection of tragic yet (gallows-)humorous short-stories, a day in the life of society’s outcasts, and an ode to Vienna’s most beautiful murderess”, Sould Out gives an amazing introduction for any new comers to Die Eternias, as well as providing a solid sophomore album for those devoted.

Singer and guitarist Voodoo Jürgensclaim claimed to originate from He-Man’s home planet Eternia in his childhood daydreams. By 2004, it appeared as though that claim may hold truth as Die Eternias was formed. Jump starting from a band-contest at Viennese club Flex, they released their first album on said club’s own label Flexschallplatten (released digitally on Seayou Records). Another 7” EP on Seayou shortly followed. While Die Eternias’ setup is conventional: guitar, bass, drums, an organ at live shows, the music is certainly not. Influences range from reggae to Kurt Weill, the songs are about the “repressed facets of Western society, the peripheral and marginalised individuals, the petty criminals, and the prostitutes.” Yikes, kind of heavy. Yet, as far as a sound, its pretty damn enlightening and outright fun, encouraging a break out dance session once in awhile.

In conclusion, yes, I do enjoy the album a bunch. Yet what seems to connect me to this album even more is the seeming relevance it holds, even when the artists originated hundreds, if not thousands, of miles away. Sometimes, smirking at the encompassing destruction is all we can do. Sould Out, on the other hand, it not the kind of destruction we should fear: rather it is the creative destruction that we desperately need. So thank you and please, as you were.

Die Eternias Facebook

Die Eternias – Sould Out (Bandcamp)

- Cliff

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