Tag Archives: Vienna

Ian Fischer & The Present – S/T

Recorded in a better than biblical 5 days. 12 hours of recording per day, with pastime activities including everything from shooting beer cans with bb guns (a personal favorite activity of mine when I was still in NC) to eating the mythical ‘Oberle’ dogs. All taking place on a small red tin cabin owned and run by family. If this doesn’t at least get you intrigued, than I really do not see much hope in you anyways. However for those who see an appeal to this story of rural serenity and isolated contemplation, then the “globetrotting young folk/americana duo from the banks of the Mississippi” known as Ian Fischer & The Present (a Mr. Ryan Thomas Carpenter) should satisfy that thirst.

With a laundry list of former homes and memories in cities far and wide including St. Louis, Vienna, New York and Berlin, Ian Fischer has done more traveling in his short career than most individuals accomplish in their entire lifetime. Incorporating honest lyrics and an unabashed voice, in combination with The Present’s  harmonies and soul, Ian Fischer & The Present have made some waves within the international community purely based upon their live performances. Now with their self titled release, which was engineered, mixed, mastered and produced by a Mr. Ben Majchrzak, Ian Fischer & The Present hope to take this raw emotional connection onto a produced format, a task which proves particularly dangerous and risky when approaching folk and folk revival.

The release then, I am glad to say, can confidently assert that this objective has been achieved. From the ever quickening, like running through the woods, of “Change of Heart” to the more remorseful “Fear“, the self titled release is able to maintain an authenticity to folk without reproducing or beating a dead horse. Rather, it takes a global experience and incorporates into a hyper-localized format, aka folk, a format which has identified particular populations for generations. Thus taking a cultural identifiable art form and attempting to apply an international history into the mix is a welcome step forward. This release just goes to show a couple of guys with an open mind to the world as well as a Mississippi sense of modesty and humility, a welcomed experience to those seeking a refuge. Beer cans, bb guns, and ‘Oberle‘ dogs: sounds delightful. Grab a download and enjoy.

- Cliff

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Nowhere Train – Station

It’s a sad scene when you have a native of the Appalachian region wondering what the hell happened to all the great folk/folk rock acts out there. Sure, we’ve got our Bowerbirds (which yes, are amazing) but they appear to be spinning in different directions now a days. And as I look around the area to see which acts will step up to fill in these shoes, there appears to be a very sorry lot available. Ink Music’s Nowhere Train has finally provided an answer to this surprising longing with their latest album, “Station“, a triumphant of not only the folk/folk rock scene but also an incredibly gifted reminder of the benefits of a truly independent, global music society.

For one, the album has a momentum and flow which appears easy yet by no means is an easy achievement. From their opening track, “Ashes” with the obvious train like rhythm exemplified beautifully by the light snare gliding of the percussion to the melancholy bluegrass soaked with an almost drunken beauty to the vocals witnessed in “Are You There“, Station truly does take the listener on a metaphorical journey through such universal themes as mortality, love, and regret all with a flow which never leaves a listener bored. And while the album plays well as a complete whole, I do not meant to downplay the parts which make this amazing sum. A personal favorite would have to be “Outrageous”, with an unapologetic yet faded glory tone, “Outrageous” features your nonchalant yet seemingly sarcastic lyrics backed by a sound which is almost classic Roma meets Folk-Rock. “Annabelle” incorporates a haunting bluegrass melody while keeping a sincere and honest voice within each verse and chorus. Frankly, Nowhere Train’sStation” is something along the lines of what I was hoping the Figurines could achieve to no avail, all of which makes me that much more excited to witness the series of music videos which, undoubtedly, will be released over the coming weeks (already a live session video for “Ashes” is available at the top of the article).

Thoughts, comments, and concerns? I am wildly impressed by Nowhere Trains ability to take a genre which is often misused and incorporate it with respectful nods to classics of wildly different genres (think the Velvet Underground when listening to “With A Lot Of Love” and tell me I’m wrong). Station is an album which elegantly molds contemporary tools provided by technological advances with an honesty played out in both playful yet reflective folk meets alternative society. Welcome, my friends, to globalism. It’s good to finally be here and yes, thank you Nowhere Train, for showing us what it might sound like.

- Cliff

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Love & Fist – Last Days In Country

Recently, Seayou Records has grown on me. Odd ball yet wondrously individualistic, Seayou Records tends to have an act at picking out unique sounds and bringing them out into the international scene. Love & Fist’s recent EP, Last Days In Country, is one brilliant example of this. As described by Seayou RecordsLast Days In Country, “is about farewell and returning home. The return to My Hometown is preceded by a move out, the departure in Say Goodbye is a metaphorical renewal of oneself as coming home, Behind The Times is a musical reunion with Hannes Strasser, who died way too young and can be heard here on guitar and in the choir, and Wasting My Time is about separation and beginning anew.”

Born and raised in the rural, rolling hills of Upper Austria, the seeds of the group were first planted in a bar when Jakob Kubizek asked his friend Stefan Deisenberger for his advice on analogue synthesizers. This lead to their collaboration in Superformy with their release,  Pop Will Save The World. Although the single became a pop hit in Germany and Austria, the band ended up breaking up with its members moving to ViennaJakob became a multimedia artist and Stefan a member of Austria’s biggest indie-band, Naked Lunch. It would be in 2009, when they joined the interdisciplinary art project known as The Nowhere Train, that progress on Love & Fist finally began. Contributing several songs to the 2010 film Inside America, which celebrated its world premiere at the Sarajevo Film Festival as a part of the Feature Film Competition.the two worked away recording their self-titled album in November 2010.

With all the background notes out of the way, what are my personal thoughts? They certainly do not shy away from being called music, an attitude which I respect in honesty and humility. Yet such a simply classification may, in fact, be modest of the group. Wasting My Time hints at country folk tinge, while My Hometown continues this feel into a drunken bluesy melody. Behind the Times plays out as a catharsis, with somber overtones leaving Say Goodbye as a gloomy conclusion to what seemingly 10 mins ago seemed like mindless poppy fun. Last Days In Country has that unique ability to lure a listener in with its seeming casualness yet, by the end of the EP, is able to hammer home far greater emotional appeal. It’s surprising, to say the least, yet an endearing surprise, what which makes Last Days In Country a worthwhile investment. Grab a listen and go ahead and support some amazing indie acts across the Atlantic.

- Cliff

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Die Eternias – Sould Out

Vienna’s Die Eternias’ second album is on it’s way (11/23/2012). Produced by Wolfgang Möstl (Killed by 9V Batteries, Mile Me Deaf) and recorded live in studio in Vienna and Graz in three days, Sould Out embodies a soul of rock ‘n’ roll with its seeming negligence of genres, often jumping through dashes of swing, cabaret, pop, and even reggae. Described as a “collection of tragic yet (gallows-)humorous short-stories, a day in the life of society’s outcasts, and an ode to Vienna’s most beautiful murderess”, Sould Out gives an amazing introduction for any new comers to Die Eternias, as well as providing a solid sophomore album for those devoted.

Singer and guitarist Voodoo Jürgensclaim claimed to originate from He-Man’s home planet Eternia in his childhood daydreams. By 2004, it appeared as though that claim may hold truth as Die Eternias was formed. Jump starting from a band-contest at Viennese club Flex, they released their first album on said club’s own label Flexschallplatten (released digitally on Seayou Records). Another 7” EP on Seayou shortly followed. While Die Eternias’ setup is conventional: guitar, bass, drums, an organ at live shows, the music is certainly not. Influences range from reggae to Kurt Weill, the songs are about the “repressed facets of Western society, the peripheral and marginalised individuals, the petty criminals, and the prostitutes.” Yikes, kind of heavy. Yet, as far as a sound, its pretty damn enlightening and outright fun, encouraging a break out dance session once in awhile.

In conclusion, yes, I do enjoy the album a bunch. Yet what seems to connect me to this album even more is the seeming relevance it holds, even when the artists originated hundreds, if not thousands, of miles away. Sometimes, smirking at the encompassing destruction is all we can do. Sould Out, on the other hand, it not the kind of destruction we should fear: rather it is the creative destruction that we desperately need. So thank you and please, as you were.

Die Eternias Facebook

Die Eternias – Sould Out (Bandcamp)

- Cliff

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Monsterheart – S/T EP

Produced by Vangelis Labrakis in the urban decadence of Berlin this 6 song EP takes what appears as simple rhythms and overly used pop melodies and ends up disassembling them and adding vocals which, for all intensive purposes, seem sincere, heartfelt, and almost tragic ranging from subjects as diverse as, “the ragged glamour of life, the beautiful crudeness of love …and cannibalism.” The Monsterheart EP was written from various countries and at least two continents stretching from Vienna and Berlin, to Tel Aviv.

Once more, at least, it takes me back to what first attracted me to Indie music as a whole. A younger me would’ve loved this, then gone through a phase of rejection, followed by reluctance acceptance. While it may sound sad, I feel this transition very informative and important. Essentially, what I always originally love about Indie acts is their ability to take something incredibly poppy, danceable, and admittedly generic and turn it into something entirely unique to their own personality. The moments of rejection are simply the uncomfortable acceptance that what you are listening to, is in fact pop. The final phase then is acceptance: yes, it’s pop, and I am a full grown man: get over it.

I guess I went a lengthy path to explaining why exactly this album, particularly the track “D.O.D.“, appeals to me. It’s young, it’s fun, yet it also has a deeper, personal connection to the artist and dare I say myself. To have this kind of heartfelt experience with a pop artist is unique, to say the least. Anyways, take a listen and judge for yourself despite to say, I see little likelihood of disappointment. It’s just too damn good to not like.

Stream the full EP here

free download of D.O.D.

Monsterheart Soundcloud

- Cliff

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Russian Circles Spring 2012 Europe/UK Tour

With the successful launch of the three piece’s recent release, Empros, Russian Circles has announced that they will be doing a packed, month long tour throughout Europe and the UK including Vienna, Berlin, and London. What makes Empros so unique is that it is the first full length, in fact, to have a world-wide release thanks to their longtime recording associate, Sargent Records. Another more obvious reason why Empros is unique is it’s pure brilliance.

I love Russian Circles and have long been satisfied with their work since Enter. Still, I think it is safe to say that Empros is their best album yet and deserves such a massive tour to introduce itself. My biggest problem, however, relates to a previous dilema I mentioned when first announcing the album: really…no US tour dates? It feels very hurtful that the Chicago group rarely makes it back to the US and perhaps its our own fault since they receive far warmer receptions across the pond.

Still, if you are lucky enough to be in town during one of these tour dates (posted below), be sure to go out and check ‘em out or, frankly, see them again because I assure you, this time will be better with such grand material tucked in their sleeves. Yet for the band itself/tour managers: Please, Please give us another shot. Particularly Philly *wink wink*

RUSSIAN CIRCLES LIVE: 

Apr 05 – Prague, CZ @ Matrix
Apr 06 – Vienna, AT @ Arena
Apr 07 – Munich, DE @ Feierwerk
Apr 08 – Dresden, DE @ Beatpol
Apr 09 – Berlin, DE @ Festsaal Kreuzberg
Apr 10 – Warsaw, PL @ Hydrozagadka
Apr 11 – Vilnius, LT @ Propaganda
Apr 12 – Riga, LV @ Gertrudes 101
Apr 13 – Tallinn, ES @ Electric Storm Festival at Tapper
Apr 14 – Helsinki, FI @ Virgin Oil Company
Apr 15 – Moscow, RU @ Gogol
Apr 16 – Stockholm, SE @ Strand
Apr 17 – Oslo, NO @ Revolver
Apr 18 – Gothenberg, SE @ Truckstop Alaska
Apr 19 – Copenhagen, DK @ KB 18
Apr 20 – Hamburg, DE @ Hafenklang
Apr 21 – Utrecht, NI @ Tivoli
Apr 22 – Brussels, BE @ Magasin 4
Apr 23 – Esch-Sur-Alzette, LU @ Rockhal
Apr 25 – Glasgow, UK @ Stereo
Apr 26 – Belfast, IE @ Speakeasy
Apr 27 – Limerick, IE @ Dolan’s Warehouse
Apr 28 – Dublin, IE @ Button Factory
Apr 29 – Manchester, UK @ The Ruby Lounge
Apr 30 – London, UK @ Scala Theater
May 02 – Paris, FR @ Point Ephemere
May 03 – Kortrijk, BE @ De Kreun
May 04 – Koln, DE @ Gebaeude 9
May 05 – Karlsruhe, DE @ Jubez
May 06 – Zurich, CH @ Rote Fabrik
May 07 – Geneva, CH @ Le Kab
May 08 – Milan, IT @ Magnolia
May 09 – Lyon, FR @ Le Clacson
May 11 – Bilbao, ES @ Azkena
May 12 – Porto, PT @ Hard Club
May 13 – Lisbon, PT @ Musicbox
May 14 – Madrid, ES @ Ritmo & Compas
May 15 – Barcelona, ES @ Apolo 2   

- Cliff

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